I can’t locate this cd in the
place where it should be-- on the P-section of the cd rack, OPM category, of my favorite
music bar at Araneta Center in Cubao. It
bothered me enough to break the ongoing chatting of the two salesladies near
me . “There is no stock sir.” Really? I thought to myself , rather incredulously.
Off
to the only other music bar at the Araneta Center, I was relieved that there
are several copies in stock. I hate the feeling of not finding the cd you
want when you needed it; and so, I
grabbed one, after taking it for granted for about a year and a half since it was released.
Listening
to the first three tracks-- I was euphoric, sensing I’m into a treat.
I
was smiling as I put down the newspaper after the 12th and final
track, “The Low End”, ended. That was great listening; however, it felt short.
It actually clocked a little over forty seven minutes. I enjoyed it immensely that time seemed to have gone so swiftly.
After a few more listens, I came up with my conclusion: In my opinion this is another excellent album by the Pupil and just like their two previous releases, by international standards. It is hands down Pupil’s best album so far. They hit the nail on the head on this one. Well, almost…
It actually clocked a little over forty seven minutes. I enjoyed it immensely that time seemed to have gone so swiftly.
After a few more listens, I came up with my conclusion: In my opinion this is another excellent album by the Pupil and just like their two previous releases, by international standards. It is hands down Pupil’s best album so far. They hit the nail on the head on this one. Well, almost…
I will enumerate
my reasons why I think this is their best album so far:
1. First,
although it doesn’t have the 'classics' found in their two previous releases, Beautiful Machines and Wild Life , such as “Monobloc,” “Dulo ng Dila” and
"Disconnection Notice”, this however, has overall a stronger set of songs. There is no weak track here.
As usual, E. Buendia’s penned songs provides the backbone. The opening two English tracks “Let Her Rip” and “Distortion” jives well with his vocals which I’ve always thought is best suited for Filipino songs. The way he sang the angst-laden tune ”Distortion” made me think of Liam Gallaghers’( of the Oasis) swagger.
Although the best songs in the album I think are Buendia’s “Let Her Rip,” "Distortion," ”TNT(tago ng tago)" and "20/20" , other band members also contributed strong tracks such as Dok Sergio’s downbeat “Pampalakas,” with its interesting lyrics; Y. Yuzon’s fuzzy and heavy “One Two” reminding me of Jesus and the Mary Chain; and W. Garcia’s “Morning Gift."
As usual, E. Buendia’s penned songs provides the backbone. The opening two English tracks “Let Her Rip” and “Distortion” jives well with his vocals which I’ve always thought is best suited for Filipino songs. The way he sang the angst-laden tune ”Distortion” made me think of Liam Gallaghers’( of the Oasis) swagger.
Although the best songs in the album I think are Buendia’s “Let Her Rip,” "Distortion," ”TNT(tago ng tago)" and "20/20" , other band members also contributed strong tracks such as Dok Sergio’s downbeat “Pampalakas,” with its interesting lyrics; Y. Yuzon’s fuzzy and heavy “One Two” reminding me of Jesus and the Mary Chain; and W. Garcia’s “Morning Gift."
My
only gripe with this album is the track
“Pikit Bukas.” If I would pretend to be a reviewer, I could
easily give this album 9/10 or even a
10/10 stars for their efforts in making such a superb and classy album which I think no local band at the moment can approximate
or compete with; however, “Pikit Bukas” prevents me so. Although it is by no means
a clunker, I think, it could even be one of the stronger tracks with its catchy melody and memorable lines ”hindi porket maitim madumi, hindi
porket malakas maingay ,hindi porket mayaman masaya, hindi porket mahirap
malungkot ”, but the inclusion of English lines towards the end of the song doesn’t 'fit'; and it seems out of place with the album itself. Well, this is just my opinion anyway, as if it matters. Buy it.
Beautiful Machines, Wild Life and Limiters of the Infinity Pool. |
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